Before arriving at the Seminar, we ask everyone to read the following short texts so we’ll start with some shared ideas as we go through the week. Additional readings will be added.
Oberhausen Manifesto, 1962
Laura Marks, “The Ethical Presenter: Or How to Have Good Arguments Over Dinner,” The Moving Image, vol. 4, no. 1 (2004), pp. 34–47.
Lars Henrik Gass, “Compiling a Selection of Films Is not An Artistic Strategy, It Brings Such Strategy To Light,” OnCurating, no. 23.
Genevieve Yue, “A View from the Booth,” Metrograph Edition (March 1, 2016), http://metrograph.com/edition/article/11/a-view-from-a-booth
Chris Fujiwara, “To Have Done with the Contemporary Cinema,” n+1 (April 23, 2010)
Colin Beckett, “A Future to Want,” The Brooklyn Rail (July 15, 2014)
“Roundtable Discussion: Distribution After Digitization,” Moving Image Review and Art Journal, vol. 3, no. 1 (2014), pp. 73–81.
Jacob King and Jason Simon, “Before and After UbuWeb: A Conversation about Artists’ Film and Video Distribution,” Rhizome (February 20, 2014)
Greg Zinman, “Man Out of Time: Oskar Fischinger and the Renewed Relevance of Raumlichtkunst,” Moving Image Source (August 22, 2012),
Gonzalo Aguilar, “New Argentine Cinema: The People’s Presence,” ReVista: Harvard Review of Latin America (Fall 2009/Winter 2010), pp. 34–37.
Oberhausen Manifesto, 1962
Laura Marks, “The Ethical Presenter: Or How to Have Good Arguments Over Dinner,” The Moving Image, vol. 4, no. 1 (2004), pp. 34–47.
Lars Henrik Gass, “Compiling a Selection of Films Is not An Artistic Strategy, It Brings Such Strategy To Light,” OnCurating, no. 23.
Genevieve Yue, “A View from the Booth,” Metrograph Edition (March 1, 2016), http://metrograph.com/edition/article/11/a-view-from-a-booth
Chris Fujiwara, “To Have Done with the Contemporary Cinema,” n+1 (April 23, 2010)
Colin Beckett, “A Future to Want,” The Brooklyn Rail (July 15, 2014)
“Roundtable Discussion: Distribution After Digitization,” Moving Image Review and Art Journal, vol. 3, no. 1 (2014), pp. 73–81.
Jacob King and Jason Simon, “Before and After UbuWeb: A Conversation about Artists’ Film and Video Distribution,” Rhizome (February 20, 2014)
Greg Zinman, “Man Out of Time: Oskar Fischinger and the Renewed Relevance of Raumlichtkunst,” Moving Image Source (August 22, 2012),
Gonzalo Aguilar, “New Argentine Cinema: The People’s Presence,” ReVista: Harvard Review of Latin America (Fall 2009/Winter 2010), pp. 34–37.
